Michael Stearns
Freddy Vinehill-CliffeFind out how sound designer Michael Stearns transformed mono recordings into a stereo film soundtrack using NUGEN tools.
Jett Galindo
Tom GriffinI had to completely rely on my plug-ins to ensure the choral experience translated to how they sounded live, and I accomplished this beautifully with Paragon.
Nick Fry
Freddy Vinehill-CliffeBuilding loudness into the mix with BAFTA winner Nick Fry, original article first appeared in TVB Europe.
Peter McCabe
Freddy Vinehill-CliffeVeteran producer Peter McCabe explains how NUGEN Audio plug-ins have helped him to evolve with the times, original article first appeared in Broadcast Beat.
Chris Fogel
Tom GriffinA Variety of the Brand’s Plug-ins Serve as Long-time, Essential Solutions for the Multiple Award-winning Recording and Mixing Engineer
Husky Höskulds
Freddy Vinehill-CliffeHusky Höskulds discusses flexible workflows using NUGEN plug-ins.
Jordan Schultz
Tom GriffinQ&A with mixing & mastering engineer Jordan Schultz
Shreyas Srinivas
Freddy Vinehill-CliffeNUGEN plug-ins enhance the mix without burying significant dialogue for Shreyas Srinivas.
Steven Fox
Freddy Vinehill-CliffeEngineer Steven Fox explains how LM-Correct helps him hit loudness targets every time, original article first appeared in C&T Asia.
Lucy Mitchell
Freddy Vinehill-CliffeWe caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.
David Hough
Freddy Vinehill-CliffeDavid Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.
Jan ‘Stan’ Kybert
Freddy Vinehill-CliffeJan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.
Nahuel Bronzini
Freddy Vinehill-CliffeNahuel Bronzini (Fantastic Negrito, Tony! Toni! Toné!) delivers GRAMMY-winning results with NUGEN Audio
Sreejesh Nair
Freddy Vinehill-CliffeRenowned Bollywood sound engineer Sreejesh Nair chooses Halo Upmix to produce a powerfully immersive upmix on a broad range of cinema projects.
Shoreline Studios
Freddy Vinehill-CliffeGary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.
Ramin Djawadi
Tom GriffinNUGEN Audio's Halo Upmix Plug-in sparks creativity and proves essential to delivering quality sound throughout 'Uncharted' demo process
Eva Reistad
Tom GriffinNUGEN Audio Q&A with Globetrotting Mixing Engineer
Mr Mig & Mike Rizzo
Freddy Vinehill-CliffeProduction duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.
Jim Schultz & Michael Minkler
Freddy Vinehill-CliffeNUGEN fine-tunes mix for Tarantino's Once Upon A Time In Hollywood
Veronica Ferraro
Freddy Vinehill-CliffeOur Q&A with an acclaimed mixing engineer, and CEO at French Audio Village.
Allison Casey
Freddy Vinehill-CliffeAllison talks post production and inclusivity, and gives us an insight into her fast turnarounds for long-form unscripted TV.
Immersive Audio Solutions
Freddy Vinehill-CliffeIAS finds the right mix with Paragon and Halo Upmix.
Jonathan Wales
Tom GriffinNUGEN Audio delivers unrestricted creativity and control for re-recording mixer Jonathan Wales.
Nic Hard and Fab Dupont
Tom GriffinSnarky Puppy's latest album mixed in Dolby Atmos
Justin Fraser
Freddy Vinehill-CliffeJustin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.
Nick Squillante
Tom GriffinNick “Squids” Squillante taps NUGEN Audio for Dolby Atmos mixes.
Mark Henry Phillips
Freddy Vinehill-CliffeMark Henry Phillips explains how VisLM and ISL both fit into his workflow.
Alan Silverman
Freddy Vinehill-CliffeMastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.
Ali Stone
Tom GriffinParagon ST was perfect for 'Bola de Cristal'. It allowed me to give the sound the stereo image and amplitude it needed. The reverb in each track gave the song its sound.
Jonathan Wales
Freddy Vinehill-CliffeNUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
Mike Prestwood-Smith
Freddy Vinehill-CliffeBAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.
Daniel Jones
Freddy Vinehill-CliffeDaniel Jones of Vaudeville Post talks staying on spec with NUGEN Audio.
Howie Weinberg
Freddy Vinehill-CliffeWe catch up with Howie Weinberg in his Los Angeles studio to discuss mastering for the internet age with MasterCheck Pro.
Keith Alexander
Tom GriffinMaster Engineer Keith Alexander reflects on TV, Radio, Film and Gaming audio post-production
Simon Pressey
Freddy Vinehill-CliffeWe hear from Crytek's Simon Pressey about delivering a high-quality gaming experience using NUGEN Audio's loudness tools.
Alexandra Fehrman
Freddy Vinehill-CliffeA chat with Alexandra about how she got started in the industry, and how NUGEN fits into her workflow.
Kate Davis
Freddy Vinehill-CliffeKate sat down to talk us through her career beginnings, and some of her most impactful recent projects. She also had some nice things to say about NUGEN Audio’s Loudness Toolkit!
Armand Klenk
Freddy Vinehill-CliffeArmand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.
Richard Addis
Freddy Vinehill-CliffeRichard Addis of HALO Post talks re-inventing audio loudness monitoring, original article first appeared in The Broadcast Bridge.
Scott Anthony
Freddy Vinehill-CliffeScott Anthony talks integrating Halo Upmix into his workflow.
Bill Evans
Freddy Vinehill-CliffeBill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.
Michael J. Moritz
Freddy Vinehill-CliffeMichael Moritz joins us for an in-depth Q&A
Mike Dean
Tom GriffinRenowned for his versatility in the studio, GRAMMY® Award-winning Record Producer Mike Dean is who the world’s biggest artists turn to for their production needs.
DELTA Soundworks
Freddy Vinehill-CliffeAn in-depth Q&A with Ana Monte (lead sound designer) and Daniel Deboy (lead sound engineer), co-founders of DELTA Soundworks
Rik Simpson
Tom GriffinRIK SIMPSON TURNS TO NUGEN AUDIO FOR COLDPLAY’S “MUSIC OF THE SPHERES: LIVE IN BUENOS AIRES”
Michael Phillips Keeley
Freddy Vinehill-CliffeMichael Phillips Keeley utilized NUGEN plug-ins to perfect the sound for SpaceX documentary
Ben Feggans
Freddy Vinehill-CliffeBen Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.
David Bottrill & Ryan McCambridge
Tom GriffinProducers deem NUGEN's plug-ins essential tools for Mastodon's Hushed and Grim
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